{"title":"Full Catalogue","description":"","products":[{"product_id":"carl-nielsen-the-symphonies","title":"Nielsen: The Symphonies","description":"\u003cdiv\u003e\n\u003cdiv id=\"productDescription\" class=\"a-section a-spacing-small\"\u003e\n\u003cp\u003e\u003cspan\u003eAfter six years of acclaimed live performances, The Danish National Symphony Orchestra and Fabio Luisi is now presenting their special take in Carl Nielsen's symphonies on record for the first time. \"The performances make a powerful case for both the orchestra itself - a nimble, resourceful ensemble distinguished by sinewy string sections and warm brass playing - and for Nielsen's music.\" - San Francisco Chronicle.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"My Store","offers":[{"title":"Default Title","offer_id":41196024954974,"sku":"4863471","price":54.99,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0586\/9836\/7070\/files\/91HrKenxF6L._AC_SL1500.jpg?v=1727612949"},{"product_id":"stravinsky-the-rite-of-spring-the-firebird","title":"Stravinsky: The Rite of Spring \u0026 The Firebird","description":"\u003cdiv\u003e\n\u003cdiv id=\"productDescription\" class=\"a-section a-spacing-small\"\u003e\n\u003cdiv class=\"QpPSMb\"\u003e\n\u003cdiv class=\"DoxwDb\"\u003e\n\u003cdiv class=\"PZPZlf ssJ7i B5dxMb\" aria-level=\"2\" data-attrid=\"title\" role=\"heading\"\u003eKlaus Mäkelä's \u003cspan\u003eauspicious first release as Music Director of the Orchestre de Paris features two iconic works of the 20th century, marking the beginning of a series of recordings of music written for the Ballet Russes, which showcases the unique sonority of this great orchestra.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"My Store","offers":[{"title":"Default Title","offer_id":41196025970782,"sku":"4853946","price":30.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0586\/9836\/7070\/files\/71V-RJcbsbL._AC_SL1200.jpg?v=1727612993"},{"product_id":"beethoven-complete-symphonies-5cd","title":"Beethoven: Complete Symphonies","description":"\u003cdiv\u003e\n\u003cdiv id=\"productDescription\" class=\"a-section a-spacing-small\"\u003e\n\u003cp\u003e\u003cspan\u003eBeethoven was Wilhelm Furtwängler’s guiding musical force. In his interpretations of the symphonies, the conductor generates irresistible dramatic momentum – and a constant sense of imaginative freshness – through the interrelationship of form, harmony, texture, rhythm and tempo. These recordings, all made in the late 1940s and early 1950s, in the Musikverein in Vienna and at concerts in London, Bayreuth and Stockholm, were newly remastered in 2010, bringing their sound more alive than ever before.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"ClassicalHQ","offers":[{"title":"Default Title","offer_id":41876312227934,"sku":"WARNER9029597509","price":30.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0586\/9836\/7070\/files\/81URaVKe1xL._AC_SL1425.jpg?v=1753168527"},{"product_id":"beethoven-piano-sonatas","title":"Beethoven: Piano Sonatas Nos. 14 \u0026 29","description":"\u003cdiv class=\"a-section a-spacing-small\" id=\"productDescription\"\u003e\n\u003cdiv class=\"l-col l-col-lg-8 l-col-md-7 l-col-xs-12\"\u003e\n\u003cdiv class=\"woocommerce-tabs wc-tabs-wrapper\"\u003e\n\u003cdiv class=\"woocommerce-Tabs-panel woocommerce-Tabs-panel--description panel entry-content wc-tab\" id=\"tab-description\" role=\"tabpanel\" aria-labelledby=\"tab-title-description\"\u003e\n\u003cp\u003eLiving legend of the piano Murray Perahia records two benchmark sonatas by Beethoven for the first time in his career. Long renowned for his performances of this composer comes Perahia’s brand new recording that pairs together two of the most radically ground-breaking of Beethoven’s 32 piano sonatas. Murray Perahia stands in the tradition of the great keyboard virtuosi as an artist armed with consummate technical skills, boundless imagination and near-mystical eloquence. Murray Perahia explored the Hammerklavier Sonata first when he was in his mid-twenties. While the work’s enormous technical and physical challenges fell within his grasp, its profound musical demands eluded him. He quietly dropped the “Hammerklavier” from his repertoire, recognising that he would need time to fathom its cosmic depths. Over four decades passed before he felt ready to programme the piece in recital. After years of studying the original manuscripts, working sketches and editions published during the composer’s lifetime, and having edited the new Henle Urtext edition of The Complete Beethoven Piano Sonatas, Perahia now presents two of Beethoven’s most famous sonatas as a revelation.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"l-col l-col-lg-4 l-col-md-5 l-col-xs-12\"\u003e\n\u003cdiv class=\"single-product-track-listing\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"ClassicalHQ","offers":[{"title":"New","offer_id":42084279484510,"sku":"4798353","price":35.0,"currency_code":"AUD","in_stock":false},{"title":"Auditioned","offer_id":42084279517278,"sku":"4798353-U","price":25.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0586\/9836\/7070\/files\/61Ii3MHVhtL._AC_SL1200.jpg?v=1753415951"},{"product_id":"hans-rott-symphony-no-1-cd","title":"Rott: Symphony No. 1","description":"\u003cdiv\u003e\u003cdiv id=\"productDescription\" class=\"a-section a-spacing-small\"\u003e\n \u003cp\u003e\u003cspan\u003eBorn in the Czech Republic, Jakub Hrusa is Chief Conductor of the Bamberger Symphoniker, Principal Guest Conductor of the Philharmonia Orchestra, and Principal Guest Conductor of the Czech Philharmonic. He is a frequent guest with many of the world's greatest orchestras. Recent performing highlights include debuts with the Vienna Philharmonic, Bavarian Radio Symphony, Orchestre de Paris, and NHK Symphony.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/div\u003e","brand":"ClassicalHQ","offers":[{"title":"Default Title","offer_id":41884501770334,"sku":"4798353","price":34.11,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0586\/9836\/7070\/files\/61itzxy-QlL._AC_SL1000.jpg?v=1753416257"},{"product_id":"shostakovich-piano-concertos-nos-1-2","title":"Shostakovich: Piano Concertos","description":"\u003cdiv\u003e\u003cdiv id=\"productDescription\" class=\"a-section a-spacing-small\"\u003e\n \u003ch3\u003e\u003cspan\u003eProduct Description\u003c\/span\u003e\u003c\/h3\u003e\n \u003cp\u003e\u003cspan\u003eAccompanied by the Mahler Chamber Orchestra under the direction of Teodor Currentzis, Alexander Melnikov captures this feeling admirably in the two Piano Concertos, and perhaps still more poignantly, - \"with disarming sincerity and fearless directness,\" to quote his booklet note - alongside Isabelle Faust in the Violin Sonata Op.134.\u003c\/span\u003e\u003c\/p\u003e\n \u003ch3\u003e\u003cspan\u003eReview\u003c\/span\u003e\u003c\/h3\u003e\n \u003cp\u003e\u003cspan\u003eA compelling performance in which logic and rhetoric combine with tremendous intensity. --The Guardian\u003cbr\u003e\u003cbr\u003e\n   The many faces of Shostakovich are mirrored in this splendid disc. His youthful high jinks are ever-present in the 1932 concerto for piano, solo trumpet and strings. The brilliant writing for trumpet is played with zest by Jeroan Bewaerts. The no less exuberant pianist is Alexander Melnikov. --The Sunday Telegraph\u003cbr\u003e\u003cbr\u003e\n   His playing, on its own terms, is so virtuosic and secure that you surrender to it immediately. --Bay Area Reporter\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/div\u003e","brand":"ClassicalHQ","offers":[{"title":"Default Title","offer_id":41884511436894,"sku":"HMC902104","price":48.22,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0586\/9836\/7070\/files\/61NJHMEUuaL._AC_SL1000.jpg?v=1753416456"},{"product_id":"bruckner-symphony-no-4-wagner-lohengrin-prelude","title":"Bruckner: Symphony No. 4 \/ Wagner: Lohengrin Prelude","description":"\u003cdiv\u003e\n\u003cdiv id=\"productDescription\" class=\"a-section a-spacing-small\"\u003e\n\u003cp\u003e\u003cspan\u003epIn 2018,39 yearold conductor Andris Nelsons takes on the prestigious position as the 21st Gewandhauskapellmeister as theGewandhausorchester celebrates its 275th birthday.p pOn this exciting occasion Deutsche Grammophon will release the next two Bruckner Symphonies with Andris and his new orchestra.p pAndris has already successfully embarked on a journey exploring the sound world of Anton Bruckner’s iconic symphony cycle with the already much acclaimed recording of Symphony No. 3 – released in May 2017.p pBruckner’s Fourth Symphony is known as his “Romantic” Symphony. Bruckner himself chose this term after starting work on it in January 1874. “The music gives us an insight into Bruckner’s psyche and allows us to sense what he was feeling and thinking at the time of the work’s composition,” says Nelsons, and there is no denying that the symphony’s musical language is unusually personal and intimate.”p pAndris Nelsons brings youthful energy, fluidity and rhythmic impulse, while still leaving room for Bruckner’s music’s monumental sound blocks that gives these works a completely new flavour.p pBy including selected instrumental works by Wagner in the Bruckner Symphony Cycle, his idea is to demonstrate the influences but more importantly their differences, for clearly the two men could not have been more disparate in character.p pThis second ambitious longterm recording project is consciously combined with the production of DG’s first complete Shostakovich cycle that Andris Nelsons is recording with the Boston Symphony Orchestra which has already been awarded with two Grammys as well as various other awards.p\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"ClassicalHQ","offers":[{"title":"New","offer_id":41903732686942,"sku":"4797577","price":30.0,"currency_code":"AUD","in_stock":false},{"title":"Auditioned","offer_id":41903732719710,"sku":"4797577-U","price":20.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0586\/9836\/7070\/files\/71uFed0VW0L._AC_SL1200.jpg?v=1754105674"},{"product_id":"symphony-1-in-d-major","title":"Mahler: Symphony No. 1 in D 'Titan'","description":"\u003cdiv\u003e\u003cdiv id=\"productDescription\" class=\"a-section a-spacing-small\"\u003e\n \u003cp\u003e\u003cspan\u003eThe shimmering string harmonics at the opening of Gustav Mahler's First Symphony bring to mind the suspended breath of spring, and will have signaled even to the very first audiences that a new symphonic era was being ushered in. Soon enough the composer introduces some of the elements that would become key components of his musical language: sounds of nature (here cuckoo calls) are combined with quasi-militaristic fanfares and 'high-art' chromatic wanderings in cellos, as if to illustrate Mahler's view of the symphony as an all-embracing art form. The symphony, which the composer originally gave the subtitle 'Titan', borrows extensively from the song cycle Lieder eines fahrenden Gesellen. But Mahler also incorporates elements of Moravian popular music (in the second movement) and - in the slow third movement - famously quotes a minor-mode version of the children's rhyme Bruder Martin (also known as Frere Jacques). The finale transports the listener to a world of Gothic theatricality reminiscent of Grand Opera, before arriving - after a number of false starts - at the symphony's heroic chorale-like ending. This symphonic 'world-in-microcosm' is here brought to life by the Minnesota Orchestra and Osmo Vanska on the fourth installment in a series which has earned the team the description 'among the finest exponents of Mahler's music' on the website allmusic. Com.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/div\u003e","brand":"ClassicalHQ","offers":[{"title":"Default Title","offer_id":41903163277406,"sku":"BIS2346","price":35.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0586\/9836\/7070\/files\/91VG7MplTuL._AC_SL1500.jpg?v=1754105747"},{"product_id":"bruckner-symphony-no-7-wagner-trauermarsch-siegfrieds-tod","title":"Bruckner: Symphony No. 7 \/ Wagner: Trauermarsch \u0026 Siegfrieds Tod","description":"\u003cdiv\u003e\n\u003cdiv id=\"productDescription\" class=\"a-section a-spacing-small\"\u003e\n\u003cp\u003e\u003cspan\u003e2018 will be branded as “Gewandhausjahr”: Gewandhausorchester celebrates its 275th birthday and the inauguration of 39-year old conductor Andris Nelsons as new Gewandhauskapellmeister. On this occasion, Deutsche Grammophon releases Bruckner: Symphony No. 7 \/ Wagner: Siegfried’s Funeral March. Previously, Andris Nelsons has already successfully embarked on a journey exploring the sound world of Anton Bruckner’s iconic symphony cycle with the already much acclaimed recording of Symphony No. 3 – released in May 2017. To this new recording, Andris Nelsons brings youthful energy, fluidity and rhythmic impulse, while still leaving room for Bruckner’s music’s monumental sound blocks that gives this work a completely new flavour.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"ClassicalHQ","offers":[{"title":"Default Title","offer_id":41903164751966,"sku":"4798494","price":30.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0586\/9836\/7070\/files\/71EGvdp8MxL._AC_SL1200.jpg?v=1754105890"},{"product_id":"symphonies-nos-6-9-siegfried-idyll","title":"Bruckner: Symphonies Nos 6 \u0026 9 \/ Siegfried Idyll","description":"\u003cdiv\u003e\n\u003cdiv id=\"productDescription\" class=\"a-section a-spacing-small\"\u003e\n\u003cp\u003e\u003cspan\u003eGrammy-winning conductor Andris Nelsons and his \"superb\" (The Guardian) Gewandhausorchester Leipzig continue their acclaimed couplings of Bruckner symphonies and Wagner masterpieces with Symphony No. 6 and Symphony No. 9. The symphonies are accompanied by the Wagner's Prelude to his last complete opera, Parsifal, and the Siegfried Idyll.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"ClassicalHQ","offers":[{"title":"New","offer_id":41903728656478,"sku":"4836659","price":40.0,"currency_code":"AUD","in_stock":false},{"title":"Auditioned","offer_id":41903728689246,"sku":"4836659-U","price":30.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0586\/9836\/7070\/files\/71K73fVAgkL._AC_SL1200.jpg?v=1754105912"},{"product_id":"symphonies-nos-2-8-meistersinger-prelude","title":"Bruckner: Symphonies Nos. 2 \u0026 8 \/ Meistersinger Prelude","description":"\u003cdiv id=\"productDescription\"\u003e\n\u003cp\u003e\u003cstrong data-start=\"241\" data-end=\"425\"\u003eAndris Nelsons and the Gewandhausorchester Leipzig continue their Bruckner series with this release featuring Symphonies Nos. 2 and 8, paired with Wagner’s \u003cem data-start=\"399\" data-end=\"414\"\u003eMeistersinger\u003c\/em\u003e Prelude.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis recording forms part of the orchestra’s ongoing Bruckner cycle on DG, presented in high-quality sound with the ensemble’s characteristic balance and clarity. The album documents the continuation of Nelsons’ collaboration with the Gewandhausorchester, which has been extended through 2027. The performances are based on established editions of the scores and were produced using Deutsche Grammophon’s current studio standards.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"ClassicalHQ","offers":[{"title":"New","offer_id":41903345664094,"sku":"60720234","price":40.0,"currency_code":"AUD","in_stock":true},{"title":"Auditioned","offer_id":41903345696862,"sku":"60720234-U","price":30.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0586\/9836\/7070\/files\/71Dxc0iPJbL._AC_SL1200.jpg?v=1754105943"},{"product_id":"mahler-symphony-no-4","title":"Mahler: Symphony No. 4","description":"\u003cp\u003e\u003cimg\u003eIn Gustav Mahler's first four symphonies many of the themes originate in his own settings of folk poems from the collection Des Knaben Wunderhorn (The Boy's Magic Horn). A case in point, Symphony No. 4 is built around a single song, Das himmlische Leben (The Heavenly Life) which Mahler had composed some eight years earlier, in 1892. The song presents a child's vision of Heaven and is hinted at throughout the first three movements. In the fourth, marked ‘Sehr behaglich’ (Very comfortably), the song is heard in full from a solo soprano instructed by Mahler to sing: ‘with serene, childlike expression; completely without parody!’ The symphony is scored for a typically large, late-romantic orchestra (though without trombones and tuba) and an extensive percussion section which includes sleigh bells as well as glockenspiel. However Mahler mostly deploys his forces with a transparency and lightness more akin to chamber music or eighteenth-century models like Mozart or Haydn. The Fourth has become one of his best-loved symphonies, and is here performed by Minnesota Orchestra and Osmo Vänskä, joined by the angelic voice of English soprano Carolyn Sampson.\u003c\/p\u003e","brand":"ClassicalHQ","offers":[{"title":"Default Title","offer_id":41903664463966,"sku":"BIS2356","price":30.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0586\/9836\/7070\/files\/mahler4.webp?v=1754121308"},{"product_id":"haydn-the-seasons-hob-xxi-3","title":"Haydn: The Seasons, Hob.XXI:3","description":"\u003cdiv class=\"c-newproduct__about\"\u003e\n\u003cp\u003eThe Gabrieli Consort continue their series of award-winning collaborations with the National Forum of Music, Wrocław, Poland with a new version of Haydn’s great oratorio The Seasons. Using a new performing edition by Paul McCreesh this recording is the first to feature the large orchestral forces that Haydn called for, including a string section of 60, 10 horns and a choir of 70. As well as the combined forces of the Gabrieli Consort \u0026amp; Players, Wrocław Baroque Orchestra and National Forum of Music Choir, the recording features solo performances from British singers Carolyn Sampson, Jeremy Ovenden and Andrew Foster-Williams.\u003c\/p\u003e\n\u003cp\u003eAll booklet texts are printed in both English and Polish translations.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"ClassicalHQ","offers":[{"title":"Default Title","offer_id":41903719022686,"sku":"SIGCD480","price":40.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0586\/9836\/7070\/files\/theseasons.webp?v=1754135227"},{"product_id":"bach-goldberg-variations","title":"Bach: Goldberg Variations","description":"\u003cp\u003eIcelandic pianist Víkingur Ólafsson has made a profound impact with his remarkable combination of highest level musicianship and visionary programmes. His recordings for Deutsche Grammophon – Philip Glass Piano Works (2017), Johann Sebastian Bach (2018), Debussy Rameau (2020), Mozart \u0026amp; Contemporaries (2021) and From Afar (2022) – have captured the public and critical imagination. In October 2023, Ólafsson releases his anticipated new album on Deutsche Grammophon of J.S. Bach’s Goldberg Variations. Ólafsson has dedicated his entire 2023-24 season to a Goldberg Variations world tour, performing the work across six continents throughout the year. He brings Bach’s masterpiece to major concert halls including London’s Southbank Centre, New York’s Carnegie Hall, Wiener Konzerthaus, Philharmonie de Paris, Tokyo’s Suntory Hall, Harpa Concert Hall, Sydney Opera House, Walt Disney Hall, Sala São Paulo, Shanghai Symphony Hall, Tonhalle Zurich, Philharmonie Berlin, Mupa Budapest, KKL Luzern and Alte Oper Frankfurt, to name a few.\u003c\/p\u003e","brand":"ClassicalHQ","offers":[{"title":"Default Title","offer_id":41904689610846,"sku":"4864553","price":29.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0586\/9836\/7070\/files\/bach.webp?v=1754198241"},{"product_id":"ravel-orchestral-works","title":"Ravel: Orchestral Works","description":"\u003cp\u003eBernard Haitink revisited the music of Ravel on recordings several times in his career both with his’ Concertgebouw Orchestra as well as with the Boston Symphony. While many of these recordings have been reissued, his earliest, and in a way, most exciting accounts of the music of Ravel, made in 1961, have never appeared internationally on CD. They include a blazing account of the second Daphnis et Chloé suite, the Pavane, Alborado and Rapsodie espagnole. 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Twenty years later, in April 2019, it was time once again, as the singers and players gathered in the concert hall of the Saitama Arts Theatre in Japan. ‘A profound joy’ is how Masaaki Suzuki describes his emotion at the opportunity to record Bach’s great fresco of Christ’s Passion for a second time. And this time, he and his ensemble have brought with them into the concert hall a profound and collective familiarity with Bach’s choral music, after having recorded more or less all of it in the meantime, including the complete sacred cantatas. For his Evangelist, Suzuki has selected the young German tenor Benjamin Bruns, making his first appearance on BIS. 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Boxes of his complete recordings with the Minneapolis Symphony Orchestra and the Philharmonia Hungarica have revived albums from the 1950s and 60s which set new standards for lifelike sound and intensely engaged performances in the recording studio.\u003c\/p\u003e\n\u003cp\u003eVolume 1 of Doráti’s London recordings covers sessions from July 1956 to July 1961. Conductor and orchestra met for an intensive fortnight each year after the end of the concert season. Both the conductor and the Mercury engineers were demanding in their pursuit of perfection, in terms of orchestral attack, ensemble, balance, colour and all the disparate elements which contribute towards the kind of repeatability that made these albums such artistic and commercial successes.\u003c\/p\u003e\n\u003cp\u003eThe repertoire for these Mercury sessions in London played to Dorati’s strengths. Volume 1 includes library versions of Rimsky-Korsakov’s Scheherezade, Tchaikovsky’s Nutcracker and Stravinsky’s Firebird. 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No less valuably, the box brings together the Mercury\/Doráti versions of Bartók’s principal works for the stage, Bluebeard’s Castle (now with the spoken introduction included on CD for the first time) and The Miraculous Mandarin, as well as a definitive recording of The Wooden Prince. \u003c\/p\u003e\n\u003cp\u003eVolume 2 of Dorati’s sessions in London draws on repertoire affinities established in the years covered by Volume 1. There is more sparking Haydn (Symphonies Nos. 59 \u0026amp; 81), the completion of symphony cycles by Brahms and Tchaikovsky, and another three concerto albums with the violinist Henryk Szeryng. Doráti’s coloristic and analytical gifts in music of the Second Viennese School are further explored with a 1962 album of expressionist-era orchestral pieces which won many new friends for this music at the time. 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Working mostly in the opera houses of Munich and Vienna, he never became music director of a symphony orchestra, but his postwar Decca recordings of central repertoire from Beethoven to Strauss, including three distinguished concerto collaborations with Clifford Curzon, preserve interpretations of a flexibility, sweep and grandeur scarcely imaginable today.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFor Decca, Knappertsbusch recorded with the great orchestras of London, Paris, Zurich, Geneva and Vienna. The orchestral discography began with Brahms’s Second Symphony with the Suisse Romande, Wagnerian ‘bleeding chunks’ in the Kingsway Hall in December 1947 and ended in February 1960 in the Sofiensaal of Vienna, conducting Tchaikovsky’s \u003c\/span\u003e\u003cem\u003eNutcracker Suite\u003c\/em\u003e\u003cspan\u003e with a delicacy and grace that will surprise listeners who think of him only as the high priest of \u003c\/span\u003e\u003cem\u003eParsifal\u003c\/em\u003e\u003cspan\u003e at Bayreuth. The box is full of such surprises: an album of Strauss waltzes and polkas that turns on a sixpence; nimble Bruckner scherzos; one of the swiftest versions of \u003c\/span\u003e\u003cem\u003eTod und Verkl\u003c\/em\u003e\u003cem\u003eärung\u003c\/em\u003e\u003cspan\u003e on record.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eOnce introduced to Clifford Curzon, Knappertsbusch was immediately enthusiastic about performing and recording with ‘this great English gentleman’; their versions of Beethoven’s Fourth and Fifth and Brahms’s Second have long been mainstays of the Decca catalogue. Much else here is newly remastered and now widely available on Decca for the first time in many years, such as Wagnerian overtures and preludes with the Zurich Tonhalle (1947) and the London Philharmonic (1948) orchestras.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eBruckner’s Symphonies Nos. 3-5 (1954-6) preserve Knappertsbusch’s profound working relationship with the VPO at its most harmonious. A magnificently trenchant Brahms album with the VPO in 1957 also features Lucretia West in the \u003c\/span\u003e\u003cem\u003eAlto Rhapsody\u003c\/em\u003e\u003cspan\u003e. 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But he resented being pigeon-holed and his recordings of central nineteenth-century Romantic repertoire could be just as compelling. He also knew Brahms personally, having played the viola in the Geloso Quartet in a performance of one of the Brahms quartets with the composer present and lived long enough to see the revival of interest in Brahms’s music outside Germany. His Brahms performances – originally recorded for the Philips label – are full of light and grace. It also features Barry Tuckwell in the Second Symphony’s memorable horn solos. The original LP coupling did not include the ‘Tragic Overture’ which was first issued in 1994.\u003c\/span\u003e\u003c\/p\u003e","brand":"Classical HQ","offers":[{"title":"Default Title","offer_id":42150943621214,"sku":"4808911","price":12.5,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0586\/9836\/7070\/files\/4808910_BrahmsSym2_Overtures_Monteux_Cover_master.jpg?v=1762213132"},{"product_id":"christmas-with-the-academy","title":"Christmas with the Academy","description":"\u003cp\u003eThe story of the birth of Jesus more than two thousand years ago has been the source of inspiration for countless poets and musicians, as well as practitioners of other forms of art. The infant, born of a virgin in a lowly cattle shed, because there was no room in the inn; the angel of the Lord appearing to shepherds in the field and bringing them tidings of great joy; three kings, led by a star, bearing their precious gifts of gold, frankincense and myrrh: these are elements of the Gospel narrative which have rekindled the imagination of successive creative artists, providing a wealth of vocal and instrumental music with which to celebrate the festival of Christmas.\u003c\/p\u003e\n\u003cp\u003eThe music, which is sung and played today in Christian churches and in concert halls, spans several centuries and embraces many styles, ranging from elaborate works such as the Weihnachts-Oratorium (Christmas Oratorio) by Johann Sebastian Bach and L’enfance du Christ (The Childhood of Christ) by Hector Berlioz to simple hymns and carols.\u003c\/p\u003e\n\u003cp\u003eWith their typical clean, vital, buoyant style, Neville Marriner and the Academy bring a liveliness and joy to this selection, which begins and ends with the sound of church bells, and interweaves favourite carols with Christmas classics by Bach and Berlioz.\u003c\/p\u003e","brand":"Classical HQ","offers":[{"title":"Default Title","offer_id":42150953615454,"sku":"4806555","price":11.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0586\/9836\/7070\/files\/00028948065554-cover.jpg?v=1762213260"},{"product_id":"messiaen-organ-works","title":"Messiaen: Organ Works","description":"\u003cp\u003eSimon Preston’s complete recordings of Messiaen for Argo and Decca, newly remastered and compiled for the first time in a 2CD release.\u003c\/p\u003e\n\u003cp\u003ePreston championed Messiaen’s organ works both in recital and on disc, at a time when they were relatively unknown in England. Incredibly, he made his first Messiaen recording – of ‘L’Ascension’ – at only a week’s notice, in August 1962. The venue was the great vaulted chapel of King’s College, Cambridge where he had been organ scholar for the best part of five years under the tuition of C.H. Trevor. Three years later, there followed what is now the most popular of the composer’s organ cycles,\u003cem\u003e‘La Nativité du Seigneur’,\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003erecorded in Westminster Abbey where he was by now sub-organist: still an astonishingly precocious achievement.\u003c\/p\u003e\n\u003cp\u003ePreston continued to make records for Argo and Decca at a rate of knots: ten solo organ recordings on Argo alone between 1963 and 1968 and all acclaimed at the time for a rhythmic control and brilliance of registration that marked him out as a musician of extraordinary gifts. He was also recording as a harpsichordist and continuo player with the Academy of St. Martin in the Fields and soon as a conductor in his own right. His own compositions from the 1960s, notably Alleluyas for organ, reflect Messiaen’s style. The present set is completed by ‘Le banquet celeste’ and the much more rarefied challenges of ‘Les Corps Glorieux’, recorded at St Albans Cathedral in July 1969.\u003c\/p\u003e\n\u003cp\u003eThis anthology is one of five newly remastered sets canvasing Simon Preston’s complete solo organ recordings for Argo. They also include ‘Twentieth-Century Organ Music’ (482 4925), ‘Simon Preston at Westminster Abbey’ (482 4933), Romantic organ music (482 4941) by Brahms, Liszt and Reger and an organ spectacular featuring the Variations on America (482 8101) of Charles Ives.\u003c\/p\u003e","brand":"Classical HQ","offers":[{"title":"Default Title","offer_id":42151470039134,"sku":"4824917","price":30.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0586\/9836\/7070\/files\/4824917_MessiaenOrganWorks_Preston_master.jpg?v=1762231833"}],"url":"https:\/\/store.classicalhq.com.au\/collections\/all.oembed","provider":"Classical HQ","version":"1.0","type":"link"}