{"title":"In Stock","description":"","products":[{"product_id":"hans-rott-symphony-no-1-cd","title":"Rott: Symphony No. 1","description":"\u003cdiv\u003e\u003cdiv id=\"productDescription\" class=\"a-section a-spacing-small\"\u003e\n \u003cp\u003e\u003cspan\u003eBorn in the Czech Republic, Jakub Hrusa is Chief Conductor of the Bamberger Symphoniker, Principal Guest Conductor of the Philharmonia Orchestra, and Principal Guest Conductor of the Czech Philharmonic. He is a frequent guest with many of the world's greatest orchestras. 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His programme also includes music by Prokofiev, Hindemith, Henze, Crumb and Casals, and features a work of his own for the first time: Cadenza continues the tradition of compositions that other cellists have always added to their recital programmes.\u003c\/p\u003e","brand":"Mainly Opera","offers":[{"title":"Default Title","offer_id":42132492615774,"sku":"C984191","price":35.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0586\/9836\/7070\/files\/C984191.jpg?v=1761733546"},{"product_id":"muller-schott-duo-sessions","title":"Müller-Schott: Duo Sessions","description":"","brand":"Mainly Opera","offers":[{"title":"Default Title","offer_id":42141979115614,"sku":"C902161A","price":35.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0586\/9836\/7070\/files\/C902161A.jpg?v=1761734066"},{"product_id":"wagner-der-ring-des-nibelungen-highlights","title":"Wagner: Der Ring des Nibelungen (highlights)","description":"\u003cp\u003e\u003cspan\u003eHerbert von Karajan’s mighty ‘Ring’ cycle, here represented through extended highlights allows us to sample Karajan’s choice of different singers for the same character in different operas – Fischer-Dieskau’s Wotan in ‘Das Rheingold’ and Thomas Stewart’s in ‘Siegfried’. There are notes on the music as well as an essay by Karajan expert, Richard Osborne, on the background to Karajan’s ‘Ring’ plus a photo gallery of many of the key singers. There were and will always be many competitive ‘Ring’ cycles on the market but, as Martin Baker sums up, ‘[Karajan] creates […] a transparent aural stage where the light and shade in the music has an almost forensic quality. 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The sheer sweep and thrill of his music became what is sometimes called the ‘Hollywood sound’, but in no way makes him a less serious composer as this collection of works, all conducted by André Previn on Deutsche Grammophon, reveals. His Violin Concerto was premiered by Jascha Heifetz in 1947 and remains his most popular and frequently performed piece. Its predominant lyricism stems both from the late-Romantic tradition in which he grew up as a boy prodigy composer in Vienna, and from the second career which he adopted after leaving Nazi Europe. His large-scale Symphony, which Korngold dedicated, in gratitude, to the memory of the American president, Franklin D. Roosevelt, a man he had much admired, was first introduced to Vienna’s music lovers, who proceeded to dismiss it, on the one hand, as ‘atonal’ and, on the other, as ‘Mahlerian’ and to treat it with only the greatest reserve. It is only in the last forty or so years that it has gained greater popularity in the concert hall and the recording studio. In the summer of 1918, Korngold was invited to write the incidental music for a production of Shakespeare’s \u003c\/span\u003e\u003cem\u003eMuch Ado About Nothing\u003c\/em\u003e\u003cspan\u003e planned by the Vienna Volksbühne. In the event, the production turned out to be so lavish and expensive that by the time it finally opened on 6 May 1920, it had had to be taken over by the Schönbrunn Palace Theatre! The four spectacular suites taken from his scores for four Hollywood box office successes, clearly demonstrate the qualities that make Korngold’s film music valuable away from the screen and worthy of concert performance.\u003c\/span\u003e\u003c\/p\u003e","brand":"ClassicalHQ","offers":[{"title":"Default Title","offer_id":42149844123742,"sku":"4823438","price":30.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0586\/9836\/7070\/files\/Web-Cover.jpg?v=1762138359"},{"product_id":"grosvenor-schumann-brahms","title":"Grosvenor: Schumann \u0026 Brahms","description":"\u003cp class=\"font_8 wixui-rich-text__text\"\u003e\u003cspan class=\"wixui-rich-text__text\"\u003eGrosvenor takes Robert Schumann’s haunting Kreisleriana as his starting point in his new album, Schumann \u0026amp; Brahms. He accompanies the work with the melancholic Variations on a Theme by Robert Schumann by Schumann’s beloved wife Clara (who, incidentally, stated that she was much disturbed by the visions conjured up in Kreisleriana). Further kaleidoscopic variety is provided by Robert’s Blumenstück, and Quasi Variazione: Andantino de Clara Wieck. The recital also includes Brahms’ Three Intermezzi, autumnal works which shed a fascinating light on the complicated relationship which existed between Robert, Clara and Brahms himself. 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Coupled with short solo piano works including the immortal Adagio from ‘Spartacus’; the Sabre Dance; Lullaby; Masquerade Suite and selections from Pictures of Childhood.\u003c\/span\u003e\u003c\/p\u003e","brand":"ClassicalHQ","offers":[{"title":"Default Title","offer_id":42150896795742,"sku":"4870877","price":30.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0586\/9836\/7070\/files\/eyJidWNrZXQiOiJwcmVzdG8tY292ZXItaW1hZ2VzIiwia2V5IjoiOTc0NjUwMC4xLmpwZyIsImVkaXRzIjp7InJlc2l6ZSI6eyJ3aWR0aCI6OTAwfSwid2VicCI6eyJxdWFsaXR5Ijo2NX0sInRvRm9ybWF0Ijoid2VicCJ9LCJ0aW1lc3RhbXA.webp?v=1762211766"},{"product_id":"arne-cpe-bach-jc-bach-harpsichord-concertos","title":"Arne, CPE Bach \u0026 JC Bach: Harpsichord Concertos","description":"\u003cp\u003eThere were many worlds in George Malcolm’s (1917–1997) universe – organist, harpsichordist, pianist, composer, choral director and conductor – and this one demonstrates his unique skill as a solo performer who, throughout his career, more than any other individual defined the harpsichord’s identity in England. After World War II, Malcolm became the most famous English harpsichordist of his day with a brilliant technique, superb musicianship and an idiosyncratically modern approach to playing which, for his audiences, came to exemplify the very nature of the instrument itself.\u003c\/p\u003e\n\u003cp\u003eThe present release, explores George Malcolm’s work from the 1960s as soloist with the Academy of St. Martin in the Fields in concertos by Carl Philipp Emanuel, Johann Christian Bach and Thomas Arne. In addition to the concertos there are also samples of Malcolm’s brilliant solo playing, including the F-major Sonata by Arne (as close to Scarlatti as an English composer ever came) and an exotic set of variations on ‘Les Folies d’Espagne’ by C.P.E. Bach. His brilliant, mercurial style is well suited to the younger generation Bachs, so different in outlook from their famous father and his dense, contrapuntal language. These recordings of the solo works and the J.C. 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The six examples gathered in this new Eloquence reissue tend towards the latter, more intimate vein of expression but they also encompass stylistic poles defined by varying purposes as either a sacred exposition of Scriptural principles or a rollicking secular entertainment.\u003c\/p\u003e\n\u003cp\u003eThe Academy of St. Martin in the Fields was not yet five years old when, in April 1964, it was joined by John Shirley-Quirk in St. Paul’s, Knightsbridge, to record the two most renowned cantatas for solo bass voice. Both ‘Ich will den Kreuzstab gerne tragen’ and ‘Ich habe genug’ rank among the composer’s most profound contemplations of mortality and singers of every voice-type have wished to put their personal stamp on them. 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